"Why, rather, Miss Vetch!" Owen declared. "I've done every blessed thing she wished. I rushed down to Ricks, as you saw, with fire and sword, and the day after that I went to see her at Waterbath." At this point he checked himself, though it was just the point at which her interest deepened. A different look had come into his face as he put down his empty teacup. "But why should I tell you such things, for any good it does me? I gather that you've no suggestion to make me now except that I shall request my solicitor to act. Shall I request him to act?" They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand."!

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!"

The girl hesitated. "You said a while ago that for me you would do it." "Mine have not been quite so bad as that," Fleda desperately smiled. Then she added: "His silence, her silence, our hearing nothing at all—what are these but the very things on which, at Poynton and at Ricks, you rested your assurance that everything is at an end between them?" "I'm glad you didn't do that."